“Probably the most frustrating job, yet the most rewarding job. Just getting the job was frustrating. But I loved the actors—Bill Murray, Dan Aykroyd, Harold Ramis—and I still consider them very good friends. I’m so thankful that I got a chance to do it. After all these years, almost 30 years later, whenever I’m on the street, someone will call out, “Who you gonna call?””
Entertainment Tonight, which was really, like, barely started in 1984, was on the red carpet for the LA premiere of Ghostbusters, and given that we just passed the 28th anniversary of that event, it was nice of them to share!
If you want to download a copy for yourself (you know, for your iPhone or something), right-click and save this link.
Seth “Family Guy” MacFarlane is making the move to the silver screen, but not with one of this hit TV shows, but an actual buddy flick, Ted. Now, it’s true, Ted is about a guy and his not-so-imaginary friend, a talking teddy-bear, but it’s still a big step away from the anything-goes cartoons he’s used to. How did he plot the line between real and absurd? He watched Ghostbusters;
What made you want a CGI talking teddy bear in your first film?
All of my experience has been in animation, so I felt it would be good to include an animated element. But making Ted was also about finding a balance between that sort of sledgehammer-realism of modern comedy, at least in that Judd Apatow style, and capturing the style of comedy that I loved in the ’80s, movies like Back to the Future and Ghostbusters. Those movies were funny for adults, but they also had an element of showmanship to them; there was an element of un-realism. It was always very well-balanced.
Ghostbusters is a movie that we looked to often during Ted’s production process, because it’s a movie that essentially takes place in the real world; New York City is presented as New York City and the characters are all very realistic, but there’s this one element that’s completely unrealistic. By keeping everything else very grounded, they earned that. You don’t have wacky characters in a wacky situation—you have grounded and real characters and one wacky situation for them to deal with.
I hope Ted establishes the modern version of what those ’80s movies accomplished: combining real characters with a fun, outrageous, summer comedy premise.
Without a doubt, Mark Sullivan’s matte painting of Peter’s apartment in Ghostbusters 2 is exceptional, and as outlined in this top 50 list (it made #47) it is tragic that the painting was accidentally destroyed (painted on glass, matte paintings were prone to shattering.), but it seems very odd that Matthew Yuricich and his matte of the rooftop temple in Ghostbusters didn’t make the cut. The only thing I can assume is that he was omitted because he was already on the list for TWO other classic paintings, including Ben Hur.
Chicago ghostheads! 2 for 1 tickets to see Ghostbusters June 1 and 2! But you have to act now!