While he hasn’t been on the big or small screen in awhile, Rick Moranis hasn’t been idle – somewhere along the line Rick cut a country album and The Agoraphobic Cowboy is now available.
Presented in more the western style (as in, “we have both kinds of music here; country AND western”), the songs have a wry, witty edge. For example, the
Johnny Cash Hank Snow classic I’ve Been Everywhere – about a man who’s been, well, everywhere and lists the names of all those places – is reworked into I Ain’t Goin’ Nowhere, about a guy who doesn’t want to leave his house, and lists all the reasons why not, including the internet and a kid getting mauled by a bear.
Those of you who are a fan of Moranis (and especially if you remember his musical work on You, Me, The Music, and Me and SCTV), you should check this out. Ask your local record store, but it may only be available to buy directly from his website (yes, his website – don’t get too excited, it’s geared entirely towards the album, via Artist Share.)
credit | General Taylor
Since some of you asked, at long last, I’ve converted the EGB theme music from Real Audio to MP3.
In 1984, just as Ghostbusters was going into theaters, Randall D. Larson sat down to talk about movies and music with Elmer Bernstein, the lucky duck. And how luck for us that it just got reprinted today on Cinescape’s website.
Q: As a composer, what’s your feeling about scoring these kinds of way-out movies?
Bernstein: It’s a composer’s holiday, because it gives you such a wide range of things you can do and experiment with. For instance, in Ghostbusters I had an opportunity, because of the nature of the score, to employ an instrument that Yamaha makes, called the DX-7, which is a very useful synthesizer. and I used three of them. I also used a French instrument called the Ondes Martenot, which very few people play as a matter of fact I had to import a player from England to play the instrument. It gave me an opportunity to do things of that sort.
There’s some great info for anyone interested in movie scores and a LOT of information about Ghostbusters – Bernstein talks a lot about his dislike of Rock in soundtracks, which parts in the movie he didn’t like, and even comments on the similarity of Ray Parker Jr’s theme to Huey Lewis! For those who are curious, a Ondes Martenot is very similar to the Theremin and is what produces that eerie, ghostly noise throughout the soundtrack.
Read the whole interview here.
| credit The Liverstealer